#Selmer Saxophone S Value Serial Number Range

вЂњWithout a doubt, the most famous and sought-after saxophone around the world is the Selmer Mark VI. This gorgeous tribute incorporates some of the finest acoustic and ergonomic characteristics of earlier Selmer Paris models. These are combined with modern.Selmer Mk6, the holy grail the one and only the saxophone that all other manufacturers have tried to reproduce. The one to buy to complete the ever difficult quest to being an accomplished player and have a romance that no other sax can create. Approximately 185 thousand Mk6 saxophones were made in the 20 years reign between 19.00 Add To Cart CONN SELMER ALTO SAXOPHONE CARE KIT. I have already sold a number of these (all pre-assembled and QC tested), to retro gaming and.Super Action 80 Series II, Series III and Reference horns are currently in production.

Selmer Saxophone S Value Serial Number Range

Although the Selmer designs had been improving, from the release of the revolutionary Balanced Action model in 1936 through to the Super Action horn, the Selmer Mark VI brought the best combination yet of key work, tone, and intonation.In fact, some would argue that this model was the вЂperfect stormвЂ™ of design improvements, and the new key designs from the Selmer Mark VI are still the benchmark for most new horns these days.Selmer produced the Mark VI until 1974, making thousands of instruments during the twenty year run. Serial numbers stamped on the neck are used to recognize the Selmer saxophone models. The Super Action 80 was introduced by Selmer in 1980.These new models are documented with serial numbers. The Mark VI models were produced from 1954-1981. It was the sixth new model to come from the factory since they began making their first saxophone in 1922 and boasted a bunch of new design features. Whole websites and blogs are dedicated to listing the ultimate serial number range for the вЂњperfectвЂќ Selmer Mark VI and collectors seek out horns from lofts and under beds around all corners of the globe.If you are looking to buy a sax you may even be wondering can modern Selmer saxophones compete with the legendary classic horns.But, how did this Selmer Mark VI saxophone become such an object of desire and is there any truth to the myth?The Mark VI was first produced by the Selmer company in 1954.

Legendary statusThe Mark VI was used by many of the great players who came up through the 1950s, like John Coltrane, Sonny Rollins, and Wayne Shorter. Although it took 3 years to develop the new Mark VII model and it included changes to the octave mechanism, spatula keys, neck, and bell, the Mark VII never received the same welcome as the previous model and is generally considered as less desirable. New developmentsIn 1974 the last Mark VI tenor and alto saxophone horns rolled off the production line, and Selmer launched the new Mark VII.

There were, however, clear design differences between the Mark VI and Mark VII saxophones that have a real quantifiable difference in sound and feel.Although the Mark VI and the Mark VII share the same body tube dimensions, the neck and bell differ in size and shape. вЂњThat feedback through the horn is so important to inspire you as a player вЂ“ itвЂ™s one of the strengths of the Mark VI in my opinionвЂќ.Get the Saxophone Tool Kit Design differencesWhether there is any scientific reason for why the Mark VI horn may be more вЂresonantвЂ™ than newer horns is still up for debate. вЂњIвЂ™ve always felt it has a certain вЂresonanceвЂ™ when I play,вЂќ says Steve.

So that horn is also still being used to perform Supertramp tunes!Of course choosing a 40-60 year old sax as your вЂdaily playerвЂ™ has itвЂ™s own challenges. Actually I ended up selling my original VI to Laurent Hunziker in France who performs with вЂњThe Logical TrampsвЂќ вЂ“ a tribute band. IвЂ™ve used horns constantly on tour with Supertramp and besides the usual maintenance, both have been great reliable instruments. The sound has a great focus and the horn really takes whatever I give it. This gave each horn an individual characteristicВ unlike the consistency you get from horns manufactured with modern techniques.Living with a Mark VI : John Helliwell вЂ“ SupertrampI bought my first Mark VI tenor brand new in 1964 and used it right through till 1997, when I replaced it with a (new) one from 1960! I love my Mark VI tenors. вЂњChanging the bell though,В does make a big impact on the projection and warmth of the soundвЂќ.Another consideration is the fact that the Mark VI bells were hand drawn using a different process to modern horns.

With so many great quality new instruments on the marketВ these days, prices for new horns are quite competitive. Is it for you?Unfortunately one of the main hurdles to overcome when buying a Mark VI these days is the price. Many London playersВ these days prefer to use a newer horn on shows or tours and leave their precious Mark VI in the practice room. вЂњBecause the Mark VI was built so solidly, a good repairer can bring any horn back to excellent condition that will last another 50 years,вЂќ he says.However at the prices that Mark VI horns fetch these days, you could argue that itвЂ™s a risky venture taking one out on tour with you. The good news is that everything can be put right on a quality horn like a Mark VI.вЂњAlthough it is a popular myth that there are вЂgoodвЂ™ and вЂbadвЂ™ Mark VI horns, it really just depends on how well the horn is repaired,вЂќ says Emilio Lyons. YouВ need to expect more maintenance unless your horn has a complete overhaul and rebuild by a good repairer.Understandably many horns of this age have had a lot of use, and this can affect not only pads and corks, but alignment of the body, and wear on the keywork.В Even the main body tube itself can be bent over years of playing.

And, itвЂ™s a great instrument to play and enjoy, regardless of whether you appreciateВ the history of great players who have used these horns, the sound and playability, or just the sheer beauty of the instrument.Regardless of whether you buy into the myths of the Mark VI, it is a beautiful instrument and a part of musical history that will hopefully stay with usВ for years to come. Final thoughtsOwning a Mark VI saxophone is like owning a part of musical legend. вЂњIf a horn is replated properly, then it doesnвЂ™t affect the sound at allвЂќ. вЂњIвЂ™ve gold plated Mark VI saxes for Ray Charles and Stan Getz andВ they loved the horns вЂ“ they played perfectly,вЂќ he says. Many collectors will only look for horns with as much original lacquer as possible and reject horns that have had the lacquer вЂstrippedвЂ™ or have been replated.However, from a playerвЂ™s perspective it should be all about the sound, explains Emilio.

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Selmer Saxophone Serial Numbers Value